Project Runway Episode 7: Saturnine
August 27, 2008 by Mary Jones
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Last week on Project Runway: The designers created outfits for drag queens; Daniel gets voted off for his Miami train wreck, and Joe’s hideous sailor suit.
This week, the designers head onto the roof of a parking garage, discovering a bevy of Saturn hybrids (which is the car sponsor of Project Runway, in case you didn’t know). Since Saturns are made out of recycled materials (or a majority thereof), the designers are asked to use recycled materials. Stella displays the first bit of awesomeness all season by refusing to run around: “How embarrassing!”
Back at the studio the designers are given a few minutes to plan their dresses; everyone is throwing down carburetors and smashing mirrors, so I have high hopes. Stella decides to do something pretty instead of her usual biker thing. Keith is freaking me out with his insecurity. He’s so needy! I can’t stand it. “Don’t ask my opinion; my taste is questionable.” I’m beginning to hope he’s voted off.
Kenley’s model dropped out of the competition, so Kenley has to refit her dress for the new model. Terri accuses Korto of creating a “Jeepers Creepers” dress. Stella talks to her boyfriend ‘Ratbones.’ Stella’s slowly winning me over, I hate to admit it. Keith yells at his model for sitting down for hair and makeup–how dare she disobey him when he asked such a simple task? Gosh, so selfish. The outfits are all very exciting, so it’s with a great deal of excitement (for once) that we head towards the runway.
1. Jerell
Dress: paneled bustier and black pencil miniskirt
Materials: Seat covers, carpets, resin moldings, and metal dashboard trim
2. Keith
Dress: crocheted cream top and nude miniskirt with wide belt
Materials: Seat covers, liners, cushions, and cargo netting
3. Terri
Dress: Black tube top with netting neckline, dual tone jeans
Materials: Seat covers, carpets, cushions, and cargo netting
4. Kenley
Dress: Black sleeveless top and pencil skirt with ruffle overlay
Materials: Air Filters, Seat covers, seat belts, and window shades
5. Leanne
Dress: Structured black minidress with bodice detail
Materials: Seat covers, cushions, and seat belt
6. Suede
Dress: Black dress with interweaving with silver fringe skirt
Materials: Floor mats, sun visors, cargo netting, and seat covers
7. Korto
Dress: beige short kimono dress with bell sleeves
Materials: Seat belts
8. Blayne
Dress: floor length beige ball gown with silver detail
Materials: Seat belts and mirrors
9. Joe
Dress: Black minidress with red detail and cutaways
Materials: seat covers, cushions, seat belts, and car logo
10. Stella
Dress: banded skirt with beige and black corset top
Materials: seat belts, seat covers, seat backs, carpet stays, and keys
Korto, Leanne, Blayne, Jerell, Keith, and Stella are left on the runway. Laura Benett and Rachel Zoe are the guest judges for the night–though Rachel Zoe only because she has a new show on Bravo. Jerell’s dress was praised for its intricacies and futuristic nature. Blayne’s dress was poorly fitted on top, and the judges noticed. Everyone agreed Korto’s dress was chic and wearable. Leanne’s dress finally got the praise she deserved for her dress. Stella’s dress was considered to random and mismatched. Keith started fighting with the judges about how they didn’t understand his work and they were being too critical and blah blah blah. Michael Kors squarely smacked him down without being too mean, which I appreciated.
The designers come back out, and the judgment is handed down: Leanne is the winner, breaking the tradition of anti-Leanne bias and Keith went home. It was so hard to watch Keith cry–like, totally devastated. But if Keith gets out of Utah, homeboy might have a chance.
Project Runway Episode 3: InspiratioNYC
July 30, 2008 by Mary Jones
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Last week on Project Runway:
Natalie Portman and the “green” challenge with organic fabric; Suede ended up winning for his punk ballerina dress, and Wesley was sent home despite his amazing shorts.
This week:
So I totally read that Daniel has hooked up with the now-auffed Wesley, which kind of makes me wish Wesley had lasted longer so I could watch the sexual tension.
The challenge isn’t announced right away; the designers are promised a night out with Tim to “unwind.” And if Top Chef Project Runway has taught me anything, a night out on the town is usually code for “surprise challenge.” It’s raining and everyone is in ponchos, and rather than take them to a park or a club, Tim loads the miserable herd onto a double-decker bus. The challenge is to design a look inspired by New York at night, so Tim plays guide to a sort of Magical Mystery Tour. Only rather than a bus full of joyful Liverpool musicians, everyone on this bus is wet and cold and not all that happy to be there.
The bus makes four stops, and at each stop, a group of designers is dropped off with cameras to document their inspiration. The first drop off is Suede, Daniel, Leanne, and Jennifer at Columbus Circle. The next stop is Time Square, and Blayne, Keith, Stella, and Kenley disembark. Korto, Kelly, and Joe get off at the New York Public Library. Terri, Emily, and Jerell totally score with Greenwich Village. I feel bad for the Library group—there isn’t a whole lot of activity that happens in Bryant Park at night.
Stella’s whining is getting worse. She can’t figure out how the turn on her camera or zoom or review her pictures. This kind of incompetence is exasperating in this day and age. Even my mom can text message; don’t try to act like because you’re
over-40 you can’t work a digital camera. Keith confesses that he’s from a Mormon family, which of course doesn’t surprise me. I’m Mormon, and we can totally smell are own: it’s all in the face. Mormons have the most generically Caucasian faces ever. Keith can try butching up with tattoos all he wants—I knew he was part of the tribe.
After a trip to Mood, the designers return to Parsons to begin to sew. I’m kind of excited by the possibilities—flicks of light, a clock face, an old magazine. Stella’s hammering grommets like it’s all-you-can-eat crab night at Red Lobster. I love watching her in the confessionals: her outfits are progressively becoming more leather-daddy, with ever-growing numbers of studs, tassels, and leather accessories. I’m thinking of creating my own drinking game where you take a shot every time Stella says “I’m into letha.’”
The one who seems to be in the most trouble halfway through is Jennifer, who’s dress looks very Florida-retirement-community, and Emily, who looks like she’s created a drag queen costume. Blayne tries to teach a befuddled Tim Gunn what “Holla at cha’ boy” means. Looking skeptical, Tim repeats it in a typically old-codger way: “Holler at your boy?” Everyone shouts out, “No, holl-ah. Hollah. H-O-L-L-A. Holla at cha’ boy.” Watching Tim Gunn try to use it as he leaves (“Make it work, people, holla at your boy”) is like being back in high school and hearing my father use “dawg” for the first time.
Keith’s model dropped out of the competition, so he has to use the model that was eliminated. He starts freaking out because he has to refit the whole dress, but it looks like a shift dress with some fabric bits stuck to it. What’s to refit? I think he just likes creating needless crisis. That’s how you get ulcers, Keith. Not good.
Onto the runway challenge!

1) Keith
Inspiration: Torn up magazine
Dress: White shift with hundreds of pale leaves of fabric fluttering about
2) Blayne
Inspiration: Rainbow flag
Dress: Black, long sleeve dress with a rainbow corsage of fabric knots
3) Joe
Inspiration: Lantern
Dress: Carmel bustier with black banding and a short, black pencil skirt
4) Emily
Inspiration: Flashes of Light
Dress: Black tank dress with a snake-like corsage of hot pink and orange chiffon
5) Leanne
Inspiration: Tree Grate
Dress: A gorgeous grey and black tiered skirt with a black tank
6) Jennifer
Inspiration: clock face
Dress: A billowy purple satin dress with cream accents
7) Jerell
Inspiration: Public fountain
Dress: a multi-tiered pale green gown with olive ruffled train
Kelli
Inspiration: Fire hydrant
Dress: A Japanese goth-punk creation with webbed top, brocade bodice, and dull satin skirt
9) Daniel
Inspiration: Shadow on wet pavement
Dress: Asymmetrical silver party dress with gold accents
10) Kenley
Inspiration: Tiled Wall
Dress: A green and purple printed frock with purple gauze bubble skirt
11) Suede
Inspiration: Light squiggles
Dress: A dove-colored sleeveless shirt dress with gold studs
12) Stella
Inspiration: Horse blinders
Dress: Not a dress, a metallic-pink leather vest with pale brown leather lace up pants.
13) Korto
Inspiration: Spiral masonry
Dress: Black flowing pantsuit with round cloth collar 1
4) Terri Stevens
Inspiration: Graffiti
Dress: A backless blue-print dress with princess sleeves over black pants
So the following designers are asked to stay on stage so the judges can ask them some questions: Keith, Kenley, Emily ,Terri, Jennifer, Leanne. Tonight’s guest judge is Sandra Bernhardt, though heaven knows why, as she has one of the worst senses of fashion I’ve ever seen.
The judges seem divided on Kenley’s “power bitch” dress. They rip on Keith for choosing white fabric, which makes it look like “toilet paper caught in a windstorm.” Terri’s dress, which I thought was grotesque, got some high points for having “attitude.” Emily’s dress was brushed off as being too “cha-cha,” though I found it interesting that Blayne’s dress, which was virtually identical, escaped the chopping block. It plays right into my conspiracy theory that Heidi Klum is out to destroy all the young, hot female designers so she will stay the prettiest woman on camera. Leanne’s immaculate dress was so perfect the judges had few things to add outside of an acknowledgement of its perfection. Jennifer’s dress—of which I had such high hopes—ends up looking old and ugly. Her claims to surrealism weren’t evident anywhere.
The judges deliberate, and give the win to Kenley, even though the dress looks like lawn chair fabric raped her model. I seriously do not get these judges. Emily ended up being voted off for the awkward ruffle, but she took it like a champ.

